Multiple Monitors with the 5DMkII

One of the big issues with DSLRs is monitoring and the 5DMkII is especially awkward. Not only do you have to deal with HDMI, which can be a pain to split, you also have to deal with the signal dropping to 480p when you hit record. We bought the AJA HA5 thinking that we’d be able to send HD-SDI to our Panasonic HD-LCD monitors only to find that the device can’t handle 480p and, after talking to AJA at NAB, it doesn’t sound like this is an issue that can be resolved via a firmware update. That leaves the unit from BlackMagic as the only option.

Until yesterday. Ladies and gentlemen, the HDFury2:

The HDFury2 takes the HDMI ouput from the Canon 5DMkII and converts it, while keeping all the high def goodness, to a component HD signal. That can then be split out, using T-Adapters available at Radioshack, and the signal can then be sent to 2 monitors, one for the DP and one for the client/director. The HDFury2 comes with a power supply but I diodn’t have any issues at all not powering the unit — instead, it took power over the HDMI connection. That might drain your batteries, though, so make sure you have spares or a charging station.

The HDFury2 works with both the 5DMkII and the 7D so it should work with the 1DMkIV although I don’t have access to one to test that out. Another nice feature of the HDFury2 is the ability to monitor audio, either analog or digital optical — there’s a multi-port on the bottom of the unit that allows for either a 3.5mm jack to be plugged in or a Toslink cable. Finally, the unit can be switched between RGB or YUV, so you’ve got all the options you could ever want.

Is this is solution to monitoring? Probably not. One thing I learned at NAB is that there are a TON of manufacturers working on DSLR solutions to there will probably be something bigger, better and more ready for the field in the future. But for $200? I haven’t seen anything else like it.

You can buy the HDFury2 from Curt Palme. The version we bought was the GREEN kit, although we actually don’t need the 5 BNC cable that comes with it as the regular RGB cable it comes with is all we’re using. You’ll then need some T-Adapters and RCA:BNC adapters. All in, you should be dropping about $220 for the ability to monitor the video from your Canon DSLR to two professional monitors.

Chris Cardno

Production Manager

Behind the Scenes: 5D MkII shoot

On Wednesday, April 7, Bruce and Chris headed out on a shoot for a client to capture footage of three statues in Washington, DC. The client had requested the Canon 5DMkII as the camera for the project and we shot in 24p, taking advantage of the recent firmware update from Canon. We took a decent number of lenses with us and a new toy, picked up the client at Union Station in DC and then headed out to start the day.

The problem most people are aware of with the 5D is it’s inability to deliver an HD signal via it’s HDMI output when recording begins. As such, we chose to simply take the standard def output from the camera and fed that into a Panasonic BT-LH900 HD monitor — the Hoodman was an absolute must have with the sun beating down on us! The monitor also allowed our client to see what we were shooting and offer input so that they got exactly what they wanted.

We were also playing with a new toy — the 3′ Shot Shifter from Bright Devices. It’s a slider dolly that utilizes your tripod as the base and then your fluid head screws into the bowl adapter on top. Regular light stands are then used as support under the ends, allowing for a smooth move all the way through. Quite bluntly, this was THE tool for the job. It allowed us to get moves on the statues we were shooting without the time and hassle of setting up dolly and track and also gave us a much smaller footprint which, in downtown DC, is absolutely key. And although we were using it with a DSLR, the Shot Shifter is rated for larger cameras so can be used with a Varicam, CineAlta, or any 2/3″ system. Brilliant. There’s also a 22″ version for interviews, allowing the operator to perform subtle moves with the interview subject, and the mondo 5′ version.

Here’s the complete list of the gear that we used on the shoot:

• Canon 5DMkII DSLR – we love this camera.
• Canon L-series 50mm 1.2 – beautiful, beautiful lens.
• Canon L-series 16-35mm 2.8 – a fantastic wide lens.
• Nikon 85mm 1.4 – one of our cine-modified primes from RP Lenses.
• Nikon 135mm 2.0 – again, cine-modified from RP Lenses.
• Nikon 70-200mm 2.8 – we borrowed this lens for the shoot and we’re still dreaming about it, just gorgeous.
• Zacuto Z-Finder, follow focus, DSLR plate, Z-American arm and lens gears – there isn’t anyone making better quality accessories out there at this time and the Z-Finder is essential. Again: ESSENTIAL.
• Chrosziel 5×5 mattebox with the Zacuto flexible donut – shooting in the sun with a fast lens and camera made it imperative for ND filters in front of the glass, along with the requisite Polarizer.
• LightCraft Fader ND – screws right on the front of the 50mm lens and allows for very easy adjustments to the amount of ND filtration you need.

The shoot was a success, the client left happy and we sent them a hard drive with all the raw footage via FedEx the next day, after we brought it back to Visual Edge and made a back up copy.

The emergence of DSLR film-making has really been a stunning development in this industry and we’re thrilled to be a part of it. For more information feel free to give us a call at 301/530-8210 or email us at info@visualedge.tv